Each year we reach out to a group of filmmakers via email to get the story behind their films and find out why the Beaufort International Film Festival is such an important stop. This year a trio of directors in the Feature Film Category responded. Malindi Fickle’s Suck it up, Buttercup comes to Beaufort by way of Hawaii with a trail of film festival success in its wake while Tim Driscoll’s The Lengths barely made it out of the editing room in time for the submission deadline. Making the cut was especially sweet for Greenville, SC filmmaker Chris White.
The Beaufort International Film Festival pays special tribute this year to Palmetto State native, Andie MacDowell. The former Elite model and long time face of L’Oreal grew up in Gaffney. MacDowell’s breakout performance in Steven Soderbergh’s debut feature, Sex, Lies and Videotape earned widespread critical acclaim and a slew of awards. The film helped to redefine American independent cinema. She is best known for films like Groundhog Day,Four Weddings and a Funeral, Michael and Short Cuts. She’s shared the screen with an A-list of leading men including Bruce Willis, John Travolta, Liam Neeson, Michael Keaton and Bill Murray.
"I just want to do God’s will. And He’s allowed me to go up to the mountain. And I’ve looked over. And I’ve seen the Promised Land," Martin Luther King Jr. declared in his final speech April 3, 1968.
The Age of Romanticism – the European artistic and literary movement that arose in the latter half of the 18th century – gave new freedom of expression to the composers of that time. Their compositions became more emotional and subjective, the tone color richer, and harmony more intricate.
And nowhere are these qualities more evident than in German composer Felix Mendelssohn’s Concerto for Violin in E Minor, Op. 64, to be featured in the next concert of the Beaufort Symphony Orchestra, “Classically Romantic” on Feb. 26 and Mar. 1. In describing the concerto which debuted in 1845, Maestro Frederick Devyatkin notes that, “The E Minor is both a great work of art and a virtuoso vehicle. It has the pristine clarity of Mozart or Haydn, and the romantic sweep of Schumann or Brahms.”
Returning to the Beaufort stage to perform this jewel of a violin concerto will be Guest Artist Yuriy Bekker (above), concertmaster for the Charleston Symphony Orchestra. Mendelssohn’s soaring work is testimony to the truth of his observation, “Music fills the soul with a thousand things better than words.”
Following intermission the orchestra takes center stage to perform Tchaikovsky’s Symphony No. 4 in F Minor, Opus 36, another composition inspired by the Romantic Period’s infatuation with love, the supernatural and even dark themes such as death. Composers’ imaginations and passions soared spontaneously and they interpreted these feelings through their works. Tchaikovsky described the theme of this work which debuted in 1877, as “a characterization of the nature of fate.” He credited music with the ability to “express all those things for which words cannot be found but which nevertheless arise in the heart and cry out for expression.”
So mark your calendars and make your plans to attend this superb evening of beautiful music beginning at 7:30 p.m. on Thursday, Feb. 26, and 4:00 p.m. on Sunday, Mar. 1. All tickets are $37.50 at the door, with the exception of Student tickets which are $5. For savings with Season Tickets go to the orchestra’s website at www.beaufortorchestra.org and print out a subscription form or order online at www.TIX.com or call 1-800-595-4849. A map with directions to Sea Island Presbyterian Church on Lady’s Island is also on the website.
Pizzazz to Burn!
Music
Attention concertgoers! Fripp Friends of Music’s upcoming concert, featuring the sensational concert saxophonist, Ashu, is guaranteed to dispel February’s chill and warm your hearts; even NPR said Ashu had “pizzazz to burn!”
In the early 1900s, penny valentine postcards made their appearance in the US and a postcard craze gripped the nation for the next 15 years. Many were printed in the US but the more elaborate and desirable cards were colorful and printed in Germany. Thousands of designs were copyrighted each year.