Spring is in the air with the Hilton Head Choral Society’s SOUNDS OF AUSTRIA concert with orchestra and soloists as well as a special performance by the Von Trapp children from Hilton Head Christian Academy’s “The Sound of Music” production. Tickets are now on sale for the Sounds of Austria at TICKETS at www.hiltonheadchoralsociety.org or by calling 843-341-3818.
Micah McLaurin will play a free youth concert at USCB
A recent study asked Americans if they had attended a live classical music concert within the last twelve months; 8.8% replied, “Yes.” I tremble to think what the percentage would have been if the question were asked only in rural South Carolina and only to Americans under 25.
There is reason to hope that the percentage will be higher than we might expect if the question is asked after March 25, 2018, when USCB is presenting Micah McLaurin to play Mozart, Chopin, Lady Gaga and others and to talk about being a classical pianist in 2018.
“A petite piano powerhouse” and an “inspirational pianist,” that’s how Ronée Boyce has been described. She is quickly establishing herself not just as an inspirational, but also as an international artist.
On Sunday, March 4 at 5 pm, USCB Chamber Music celebrates the brilliance of four musical wunderkind as well as the anniversary of two American originals. Composer Amy Beach's 150th birthday was on September 5, 2017; Leonard Bernstein's 100th will be on August 25, 2018. Both were prodigies and ground breakers but different in temperament and style.
At age 45, A.J. Croce has already lived 15 years longer than his legendary father Jim, who died tragically in a plane crash before his son’s second birthday. Though inextricably linked to that legacy, A.J.’s musical career has taken a path of its own.
The Harbormasters would admit that they are not what their name suggests - masters of the harbor. They are the Beaufort chapter of the Barbershop Harmony Society, the largest singing organization in the world with more than 23,000 members in the US. Barbershop-style quartets sing in four parts, unaccompanied and in close harmony, with the melody in the second voice.