A pandemic isn’t a hurricane. We have water and electricity, internet and roads clear of fallen trees, but there is a sort of strange preparation for the unknown akin to a storm. It’s taken shape in bare store shelves, curtailment of entertainment, and news conferences by a governor and president buoyed by doctors, educators, lawyers, administrators, and in South Carolina, chaplains and signers.
March pulled a switcheroo this year – coming in like a lamb, going out like a lion. A whole pride of lions, actually. And boy, did the month morph fast. My head is still spinning.
Two columns ago, in early March, I casually wondered whether my husband and I should consider canceling our April trip to visit our exchange student daughter in Central Europe. There was this thing called Coronavirus, and it was starting to sound a little scary. But it was early days yet, and maybe it would pass. We decided to play it by ear.
Do you watch Pat Sajak and Vanna White on Wheel of Fortune? Is it part of your after-dinner routine squished between network news and Jeopardy with Alex Trebek? In a world of social media and streaming services, kids and young adults probably aren’t entrenched in guessing letters and solving puzzles, but I’ve been spinning for a long time.
It was Ash Wednesday morning, and I was chatting (virtually) with an out-of-town filmmaker friend, somebody I’ve known for years through the Beaufort International Film Festival, which had wrapped a few days earlier. We were debriefing.
Like everything else I hold sacred, movies are increasingly grist for our national Division and Discord mill. Movies, that is, and the people who create them.